Do we know if there is or isn't censorship in the homeland or in the taken over Numbers?
I was wondering because of a fanfic I was writing. I was going to use a song from Wicked the musical in a certain scene, and it occurred to me it either might not exist, or possible be banned.
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(Just out of curiosity, what was the context for using the song? I am reminded of my crack theory about the similarities in the relationship between Glinda and Elphaba and Suzaku and Lelouch.)
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Also blatant homoerotic subtext.)Though yes, she starts out very different in terms of character.
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Except instead of Elphaba taking him romantically from Glinda, Lelouch takes Euphie's life and reputation (And everything Suzaku had invested in those).
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(My apologies to
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:)
Do you want to do a thread on it too?
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http://community.livejournal.com/code_geass/1635323.html
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As for that particular song, I get the impression that the Wizard of Oz is probably too specific of a thing to exist in their world; therefore no Wicked book probably exists, and so no Wicked musical probably exists. But it's your fic, you can have it exist if you want.
As for whether it would be censored, I think it depends on how strong you expect the censorship to be. If every work that even hits at anti-establishment and/or anti-racism is banned, Wicked would be (depending on how you interpret the original Wizard of Oz, it may have been banned as well, which circles back to "then Wicked wouldn't exist" but hey, again, your story, you decide). But if the censorship is more selective and only targets works that seem seriously subversive, I think Wicked would be written off as a silly trifle.
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But if you want to say in your fic that, say, a massive war between the EU and Britannia in the early twentieth century caused a depression which triggered a chain of events leading to Wicked, you could.
Personally I do sometimes wish that the Geass writers weren't quite so Japan-focused when explaining the alternate history, considering that the past-era spinoffs all take place there. I sometimes wonder about what happened with slavery in Britannia, or what happened to the Native Americans.
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And then, of course, there's the thing where Britannia turned "Zero executes the Massacre Princess" into "Euphemia was convicted as a traitor for the massacre and subsequently executed by Britannian authorities". Where "censorship" ends and "cover-up" begins is another issue altogether, though one may argue that there is no difference at all.