2008-04-21 18:59![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
nayami.livejournal.com in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
code_geass
nayami.livejournal.com in code_geassIt's so great to see our community activity with things aside from icons and RP ads again. All this discussion makes me a very happy Geass fan. But I still love my epic posts so here's another one. As always, no character bashing or I will eat your soul. I hear they go quite well with bread pudding.
It was refreshing to finally have an episode that gave us a chance to breathe and wrap out heads around some things without reeling from the OMG SHOCK of a moment before. I admit I was completely against an Ashford episode from the start and still believe that the plot should be dropped sooner rather than later. We were promised a world stage and yet we have yet to escape Japan. Much the same as Lelouch. Suzaku seems to be the only one with true freedom, but even that is debatable. I also think that this episode did a decent job of paralleling last season but to a much less irritating extent than previous ones. I still whine that all Lelouch did was sit on the horse. TEASES.
Since everyone is all over Rollo, I will deal with him later and instead put the perplexing issues of the episode to the forefront. The largest of these being GEASS. In Turn 2, we hear the Emperor tell Suzaku that only he knows about geass. I'm guessing this means he's the only KotR to know about geass. Clearly, other people do, although they may not know the full extent of the power. Villetta and Rollo chat about it. They also apparently bank on Lelouch's reliance on it it, a very poor move on their part, as most of Lelouch's building of his army was done without the use of his power (I will acknowledge winning them over was done through the geassing of Jeremiah and the rescue of Suzaku). Whoever is advising them that Lelouch abuses his power is working off a biased scenario. Is it Villetta's? Is it the Emperor's? Is it Suzaku's? Their observation itself is terribly hindered by the belief that Zero would immediately take action if Lelouch was back to his old ways. Again, the crew is not entirely playing with a full stack of cards. But I doubt the Emperor is this sloppy. And it's rather convenient that nobody knows what happened within Babel Tower if both of the group were apparently striving for the same thing.
I also have nit-pickery with Lelouch this time around. While I understand that the student council all had their memories rearranged to remove knowledge of Nunnally and Zero, meaning that Shirley was probably geassed a second time (a cop-out way to deal with the issue of her remembering things last season), Lelouch fully remembers what happened. I find it interesting that Lelouch is still willing to use Shirley to lure out Rollo and his other followers, knowing what he already put her through. I could even forgive this behavior, as Lelouch has always shown himself to be of the "ends justify the means" mindset if not for his later reaction. Upon Shirley pointing out the cable car, Lelouch suddenly feels guilt. Why was this guilt not present before? Did he conveniently shove it to the back of his mind? I fully believe that he feels responsible for what happened to his friends and wants to avenge them, but the combination of these two elements sat extremely awkwardly with me. It was almost like an afterthought. Even if Lelouch wouldn't know a date if it bit him on the ass, he knows how Shirley feels about him so agreeing to go do something with her would clearly count as playing into those feelings. Lelouch, you are a bastard. Though, I will add he was certainly hot when he was joking with Shirley about the spectacular trick he was going to play on the council.Talk wicked to me, baby.
People have pointed out Villetta's conflicted reaction to Ougi's fate. Interesting now that Villetta has some of the power she sought, noted by the surveillance members all referring to her as "lord." I am not sure how I feel about this since the Ougi/Villetta storyline was not one of my favorites. My interest in this is that Villetta seems somewhat... compromised and none too agitated by her role at Ashford. I would have thought a teacher would be demeaning for a warrior.
While we're exploring Britannia, we should also take a moment to brush over Schneizel and Suzaku. Some people have made some good comments about Suzaku's fight with the EU, particularly his focus on disabling rather than killing the pilots. Even if his words come across harsh, practically demanding their surrender, something feels different about this fight than his previous ones. Also Shinigami. I wonder if Suzaku did not earn the name from his homicidal battles in the Black Rebellion. There was no such quarter given then, and for good reason. Whatever Suzaku is after, there is a sense of weariness about him now. His final question to his opponents is whether they still want to continue fighting. Yes, Suzaku, may be different now, but his issues with outright killing seem to be a new spin on his old preservation. There could even be a degree more sanity involved in this style. Schneizel, who continues to be our red herring, alludes to as much when he talks about Suzaku bringing a sense of responsibility and conscience to the field. Ironic description for someone who would betray his own friend hmmm.
Lelouch has also returned to genuinely focusing on Nunnally, something that was missing quite heavily from previous episodes, and something that irked me. We see that he holds back because he's afraid of her being used as a bargaining chip, we see how resentful he is that the council has forgotten her and we see the rage toward the brother that replaced her. The locked, as some have suggested, was most likely a gift for her, purchased early, and then given to Rollo after Lelouch's memories were wiped. Hence, Lelouch's comment that a locket doesn't truly suit a boy. Ouch, Sunrise, giving them the same birthday. This is also where I point out that I love Lelouch's quiet, deadly rage when he makes this realization. Even if that one later frame was totally stole from the scene where Lelouch is watching Suzaku and Nunnally while deciding to tell Suzaku to be Nunnally's knight. As always, the majority of Lelouch's rage is turned toward his father.
Further following my attempt to sort out Lelouch's current thoughts on Suzaku is Lelouch's casual remark about Suzaku taking Arthur. Of course, it's adorable because it shows that Lelouch loev the kitty, as we all already knew. But that Lelouch automatically jumps to knowing that Arthur is with Suzaku is equally noteworthy. I have seen theories about Suzaku taking Arthur because of the cat's connection with Euphemia, thus Suzaku wanting to keep everything about Euphemia as far from Lelouch as possible. And here, I think Lelouch understands this. For his words are not bitter but a simple observation, an understanding as Lelouch always tries to boil things down to. Oh yeah, Lelouch also mentions Nina, which I assume is because she was another staple of Ashford that is now missing.
I am loving the theories I've seen floating about Rollo. While I was already intrigued by Lost Colors, the boy totally won me over with his shanking the Britannian guy and his later freakout in front of Lelouch. I am guessing Rollo is in a way a trained weapon because of his power. He may have been kept from people for a better part of his life or at least raised in a way that he felt perpetually detached. He doesn't care too much about following any orders but a prime directive, as seen in his killing of the guy who walks in on the secret of the geass. There is also his ability to switch modes, especially his creepy departure from the Chinese Embassy. I do buy into the notion that Rollo grew accustomed to his familial relationship with Lelouch and even started to believe it. He seems absolutely shocked in the scene where Lelouch gives him the locket and later reaffirms to himself that birthdays are important to people, furthering his belief that receiving the locket was a big deal. Add to that his total panic at losing it, at losing this reminder that he has family. Lelouch gave it to him! I love the raw emotion in his eyes in this scene. And his later confusion as Milly talks about Shirley possibly joining the family.
It is also hinted that Rollo doesn't want to give up his fake life, seen in Turn 1 with him trying to keep Lelouch from returning to his old ways and his attempts to convince himself that Lelouch can't possibly be this Zero in Turn 3. I especially love the way he still calls Lelouch "nii-san" because of his panic in the mall when he tries to reach Villetta. As always in geass, only an especially vicious catalyst manages to break the bond, with Rollo reverting back to "Lelouch" when Lelouch pulls a gun on him. His final words also speak to his take on his own power, referring to the geass as a "demon's eye." Perhaps Rollo resents what has happened to him because of his power; it can be suggested he is unstable with it at times. I guess here we can also toss in questions about who granted Rollo geass and how long he's had it. We've seen from Mao that geass can be given at a very young age, which I think is most likely with Rollo. But he also has managed to keep his control of it, possibly through outside influences.
I also want to give a shout-out to the music in this ep. "Masquerade" and also the cheesy but still amusing dramatic piece that plays out in the mall. I enjoyed. And I don't care what anyone says, I loved the cat-fight between C.C. and Kallen. I want more. It's not just fanservice; it's the development of their relationship, which was severely overlooked in S1.
Nope, no easy questions for you guys this time. They be in the analysis itself.
It was refreshing to finally have an episode that gave us a chance to breathe and wrap out heads around some things without reeling from the OMG SHOCK of a moment before. I admit I was completely against an Ashford episode from the start and still believe that the plot should be dropped sooner rather than later. We were promised a world stage and yet we have yet to escape Japan. Much the same as Lelouch. Suzaku seems to be the only one with true freedom, but even that is debatable. I also think that this episode did a decent job of paralleling last season but to a much less irritating extent than previous ones. I still whine that all Lelouch did was sit on the horse. TEASES.
Since everyone is all over Rollo, I will deal with him later and instead put the perplexing issues of the episode to the forefront. The largest of these being GEASS. In Turn 2, we hear the Emperor tell Suzaku that only he knows about geass. I'm guessing this means he's the only KotR to know about geass. Clearly, other people do, although they may not know the full extent of the power. Villetta and Rollo chat about it. They also apparently bank on Lelouch's reliance on it it, a very poor move on their part, as most of Lelouch's building of his army was done without the use of his power (I will acknowledge winning them over was done through the geassing of Jeremiah and the rescue of Suzaku). Whoever is advising them that Lelouch abuses his power is working off a biased scenario. Is it Villetta's? Is it the Emperor's? Is it Suzaku's? Their observation itself is terribly hindered by the belief that Zero would immediately take action if Lelouch was back to his old ways. Again, the crew is not entirely playing with a full stack of cards. But I doubt the Emperor is this sloppy. And it's rather convenient that nobody knows what happened within Babel Tower if both of the group were apparently striving for the same thing.
I also have nit-pickery with Lelouch this time around. While I understand that the student council all had their memories rearranged to remove knowledge of Nunnally and Zero, meaning that Shirley was probably geassed a second time (a cop-out way to deal with the issue of her remembering things last season), Lelouch fully remembers what happened. I find it interesting that Lelouch is still willing to use Shirley to lure out Rollo and his other followers, knowing what he already put her through. I could even forgive this behavior, as Lelouch has always shown himself to be of the "ends justify the means" mindset if not for his later reaction. Upon Shirley pointing out the cable car, Lelouch suddenly feels guilt. Why was this guilt not present before? Did he conveniently shove it to the back of his mind? I fully believe that he feels responsible for what happened to his friends and wants to avenge them, but the combination of these two elements sat extremely awkwardly with me. It was almost like an afterthought. Even if Lelouch wouldn't know a date if it bit him on the ass, he knows how Shirley feels about him so agreeing to go do something with her would clearly count as playing into those feelings. Lelouch, you are a bastard. Though, I will add he was certainly hot when he was joking with Shirley about the spectacular trick he was going to play on the council.
People have pointed out Villetta's conflicted reaction to Ougi's fate. Interesting now that Villetta has some of the power she sought, noted by the surveillance members all referring to her as "lord." I am not sure how I feel about this since the Ougi/Villetta storyline was not one of my favorites. My interest in this is that Villetta seems somewhat... compromised and none too agitated by her role at Ashford. I would have thought a teacher would be demeaning for a warrior.
While we're exploring Britannia, we should also take a moment to brush over Schneizel and Suzaku. Some people have made some good comments about Suzaku's fight with the EU, particularly his focus on disabling rather than killing the pilots. Even if his words come across harsh, practically demanding their surrender, something feels different about this fight than his previous ones. Also Shinigami. I wonder if Suzaku did not earn the name from his homicidal battles in the Black Rebellion. There was no such quarter given then, and for good reason. Whatever Suzaku is after, there is a sense of weariness about him now. His final question to his opponents is whether they still want to continue fighting. Yes, Suzaku, may be different now, but his issues with outright killing seem to be a new spin on his old preservation. There could even be a degree more sanity involved in this style. Schneizel, who continues to be our red herring, alludes to as much when he talks about Suzaku bringing a sense of responsibility and conscience to the field. Ironic description for someone who would betray his own friend hmmm.
Lelouch has also returned to genuinely focusing on Nunnally, something that was missing quite heavily from previous episodes, and something that irked me. We see that he holds back because he's afraid of her being used as a bargaining chip, we see how resentful he is that the council has forgotten her and we see the rage toward the brother that replaced her. The locked, as some have suggested, was most likely a gift for her, purchased early, and then given to Rollo after Lelouch's memories were wiped. Hence, Lelouch's comment that a locket doesn't truly suit a boy. Ouch, Sunrise, giving them the same birthday. This is also where I point out that I love Lelouch's quiet, deadly rage when he makes this realization. Even if that one later frame was totally stole from the scene where Lelouch is watching Suzaku and Nunnally while deciding to tell Suzaku to be Nunnally's knight. As always, the majority of Lelouch's rage is turned toward his father.
Further following my attempt to sort out Lelouch's current thoughts on Suzaku is Lelouch's casual remark about Suzaku taking Arthur. Of course, it's adorable because it shows that Lelouch loev the kitty, as we all already knew. But that Lelouch automatically jumps to knowing that Arthur is with Suzaku is equally noteworthy. I have seen theories about Suzaku taking Arthur because of the cat's connection with Euphemia, thus Suzaku wanting to keep everything about Euphemia as far from Lelouch as possible. And here, I think Lelouch understands this. For his words are not bitter but a simple observation, an understanding as Lelouch always tries to boil things down to. Oh yeah, Lelouch also mentions Nina, which I assume is because she was another staple of Ashford that is now missing.
I am loving the theories I've seen floating about Rollo. While I was already intrigued by Lost Colors, the boy totally won me over with his shanking the Britannian guy and his later freakout in front of Lelouch. I am guessing Rollo is in a way a trained weapon because of his power. He may have been kept from people for a better part of his life or at least raised in a way that he felt perpetually detached. He doesn't care too much about following any orders but a prime directive, as seen in his killing of the guy who walks in on the secret of the geass. There is also his ability to switch modes, especially his creepy departure from the Chinese Embassy. I do buy into the notion that Rollo grew accustomed to his familial relationship with Lelouch and even started to believe it. He seems absolutely shocked in the scene where Lelouch gives him the locket and later reaffirms to himself that birthdays are important to people, furthering his belief that receiving the locket was a big deal. Add to that his total panic at losing it, at losing this reminder that he has family. Lelouch gave it to him! I love the raw emotion in his eyes in this scene. And his later confusion as Milly talks about Shirley possibly joining the family.
It is also hinted that Rollo doesn't want to give up his fake life, seen in Turn 1 with him trying to keep Lelouch from returning to his old ways and his attempts to convince himself that Lelouch can't possibly be this Zero in Turn 3. I especially love the way he still calls Lelouch "nii-san" because of his panic in the mall when he tries to reach Villetta. As always in geass, only an especially vicious catalyst manages to break the bond, with Rollo reverting back to "Lelouch" when Lelouch pulls a gun on him. His final words also speak to his take on his own power, referring to the geass as a "demon's eye." Perhaps Rollo resents what has happened to him because of his power; it can be suggested he is unstable with it at times. I guess here we can also toss in questions about who granted Rollo geass and how long he's had it. We've seen from Mao that geass can be given at a very young age, which I think is most likely with Rollo. But he also has managed to keep his control of it, possibly through outside influences.
I also want to give a shout-out to the music in this ep. "Masquerade" and also the cheesy but still amusing dramatic piece that plays out in the mall. I enjoyed. And I don't care what anyone says, I loved the cat-fight between C.C. and Kallen. I want more. It's not just fanservice; it's the development of their relationship, which was severely overlooked in S1.
Nope, no easy questions for you guys this time. They be in the analysis itself.
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(no subject)
Can you explain to me in detail why Suzaku would want to separate them? I must have missed this being established somewhere.
(no subject)
I do believe that Suzaku dwells a lot, and I think subtext shows it. I totally agree that he might have wished to forget what happened and move on, but he carried that watch with himself - on his person. He was, indeed, very afraid of being found out. Take his conversations with the Britannian shrink, with Lloyd, with Mao, with Todou. Take his reaction to Lelouch's betrayal in the sound episodes - he implies Lelouch's fall is his fault for never telling Lelouch he killed his father... Suzaku's perception of cause and consequence goes way back. I do think Suzaku has a strong relationship with the past and he is shown many times talking or thinking about past events in canon - even pointing out embarrassing childhood incidents to Lelouch's discontent. Lelouch, in fact, is the one who keeps pushing the past away even when he is holding a seven years grudge and is searching revenge - he stops himself from thinking further about the throne room incident, he refrains from talking about Euphemia as a child, he stops himself from thinking about Euphemia's murder and what that made to his relationship to Suzaku - all this is quite literal in canon. He does reminiscence about his mother in a more willingly way, but they are always happy memories, and something he deeply share with Nunnally. So yeah, it's mostly subtext and hard to defend or attack. So I guess that, in the end, it is a matter of personal opinion. :-)
Again, I must stress that this kind of analysis doesn't imply that Lelouch refrains from connecting to the past and that Suzaku just lives there. That would be insane. I'm just talking about general tendencies I see in those characters.
Same thing could be applied to Arthur and Euphemia. As Nayami likes to point out, Geass characters are masters of projection and Arthur's connection to Euphemia was very emphasized in canon (both in anime and sound episode). Euphemia's death plays an important role on what Suzaku did to Lelouch - he is wearing his Knight uniform and Euphemia's emblem not only in the cave, but also when he sells Lelouch to Charles. Not to mention that it is Euphemia's death that triggers him into a brand new character development. I think it is highly possible that, yes - among other many other factors you have mentioned - he was thinking of Euphemia when he took Arthur away from Euphemia's murder. Again, that's my personal interpretation based on what I've seen from Suzaku's character so far. I think Suzaku would totally do that. And I agree that any other interpretation is equally valid considering the few things we know about him. Also, Suzaku is full of surprises.